Thursday 18 June 2015

17th JUNE 2015

Underworld Dons And Their Fascination For Bollywood

Raaga.com [Friday, August 29, 2014]
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After the infamous attack by underworld don Ravi Pujari on Bollywood producer Ali Morani there were reports that the don had even threatened Bollywood superstar Shah Rukh Khan. Rumors have it that the don had threatened SRK to hand him the distribution rights of Shahrukh's upcoming film HAPPY NEW YEAR. 
However, the truth has come to fore. According to a national daily Pujari, prior to assaulting Morani, had called him and asked him to persuade Shah Rukh Khan to participate in a show that he wished to organize for his buddies abroad but Morani declined and this raged Pujari and he sent his men at Morani’s house to teach him a lesson. 
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The report claims when Pujari could not get his work done by Morani, he even called on the landline number of SRK’s Red Chilles office. However contradicting the news reports underworld don Ravi Pujari in a statement to media has reported that he is a great fan of Shah Rukh Khanand respects him to his bottom of heart.
In a statement to press, he humbly confessed, "Yes it’s true that I had called at SRK’s Red Chillies office on landline number. But the call was not for any extortion or threat but a request to be passed on to SRK not to work with people who are linked to Dawood or Rajan such as Morani brothers."
It may be noted that like Pujari, the fascination of underworld dons for Bollywood stars and movies is known to be their weakness. 
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Dawood Ibrahim, the mafia don of International crime, in the 80’s conducted many entertainment shows of Bollywood stars in Dubai and Bollywood stars from Anil KapoorGovindaSalman Khanand many more would take part. In fact Dawood Ibrahim even had an illicit affair with Bollywoodheroine Mandakini, the heroine of Raj Kapoor’s hit movie RAM TERI GANGA MAILI.
Renowned gold and silver smuggler of the early 70’s, Haji Mastan, on whose life the character ofAmitabh Bachchan was designed in DEEWAAR, had such an obsession for film stars that he had even turned film producer and made few movies. 
He had good friendship with thespian Dilip KumarSunil Dutt and many film personalities. He had married actress Sona, a lookalike of the yesteryears’ beauty, Madhubala and produced few films with her as heroine. 
This article is from Raaga's music blog. Read more at http://blog.raaga.com


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Crime & Place

READ MORE Haji Mastan|Crime|Book
Crime & Place
Haji Mastan enjoys the view at Haji Ali
Mastan Mirza tried every trick in the book to undo his past. After his 18-month incarceration during the Emergency, which debilitated the once notorious smuggler, he surrendered in the presence of revolutionary leader Jayaprakash Narain. Subsequently he performed Haj, wrapped himself in a cloak of piety and got a more respectable name, Haji Mastan. But despite this, and despite his other famed sobriquets like friend of the poor, Mumbai's Robin Hood and kind-hearted Muslim patriarch, Haji Mastan could never wash away the infamy that accompanied his meteoric rise. That infamy hounds him even in death.

Mastan's adopted son Sunder Shekhar will soon approach the Bombay high court to mitigate some of this notoriety by trying to stall the release of Once Upon A Time in Mumbai—a film which reportedly paints Mastan as an underworld don. Nagpada, an area near which Mastan began in Mumbai, must undoubtedly figure in the movie—as it does in a recent academic work which revisits city localities that bred smugglers, dons and criminals. Abdul Shaban's Mumbai: Political Economy Of Crime And Space provides a ready reckoner—and a perspective—to understand why some minority-concentrated corners in the city became what scholars refer to as "delinquency areas or hot spots of crime". Shaban, who teaches Developmental Studies at the Tata Institute of Social Sciences (TISS), especially dissects the psychology of Nagpada, the area which produced the maximum number of dons and their underlings.

Shaban's study frequently mentions the area which stretches from Temkar Street to Maulana Azad Road in Nagpada. "The area produced gangsters like Karim Lala, Dawood Ibrahim, Yusuf Patel, Chhota Shakeel, Alamzeb, Ameerzada, Ahmed Kashmiri and Asif Baatla while the adjoining Agripada houses Dagdi Chawl, Arun Gawli's den," says 38-year-old Shaban, who spent weeks roaming the streets conversing with locals. In this crime hotspot, three generations live in single, tiny rooms where privacy is a privilege. Outside the tenements, in narrow lanes and bylanes, drug dealers, pimps and prostitutes prowl as cops look away.

"Before the Mumbai police started cracking down on organised crime post the 1993 serial blasts, people in the delinquency areas trusted the dadas or bhais (goons) more than the cops," explains Shaban who hails from Gonda (UP) and has studied at various institutions, including AMU, JNU and IIT-Powai before he landed at TISS.

During the British era, Nagpada, Pydhonie and Dongri became enclaves of Muslim merchants and over the years turned into Muslim ghettos as migrants began to settle there. Their numerical strength in these areas provided the Muslims with a certain psychological comfort, writes the scholar. He maps the ghetto's psychology: in the absence of trust in the police, the community depends on criminals, and some even harbour them and look upon them as role models. Criminalisation, Shaban says, is a byproduct of ghettoisation and a feeling that institutions of the State like the police are a community's enemy, which leads inhabitants of the ghetto to hold hardened criminals in high esteem.

Shaban maintains that Shekhar's protest against Once Upon A Time In Mumbai is misplaced and unwarranted. "A son is bound to find any negative depiction of his parents malicious," he says. "But even if Haji Mastan might never have fired a shot at anyone, he presided over a culture which incubated notorious criminals." Indeed, Mastan—who was a coolie at the Bombay Docks before he endeared himself to corrupt officers, bypassed laws, and smuggled gold, silver and electronic goods—was very friendly with dons like Karim Lala and Varadarajan Mudaliar, on account of which the rich and powerful hobnobbed with him.

A senior Urdu journalist, who would regularly meet Mastan, concurs. "Does Shekhar want the world to call Haji Mastan a saint?" he asks.

"Don't forget that Mastan had friends across the social spectrum, from film stars to politicians to the underworld. Karim Lala was one of these, and among those who benefited from Lala's tutelage was Dawood Ibrahim." Many also recall Mastan's benevolence, his help to the poor who queued up every morning outside Baitul Surur, his palatial bungalow on plush Warden Road. But, they say, that does not negate the criminality he practised, encouraged and condoned.

Shaban compares the landscape of Nagpada, on which Mastan banked a lot after he launched his outfit Dalit-Muslim Suraksha Mahasangh, with that of Five Oaks in Ohio (USA). In the 1970s and 1980s, he writes, Five Oaks (with a heavy concentration of African-Americans) was infested with crime where pimps and prostitutes, drug dealers and local goons abounded.

Then in 1990s Five Oaks was redesigned, street layouts were altered and mini-neighbourhoods created which led to a sharp drop in crime in the area.

Almost a similar plan for Mohammed Ali Road and adjoining Nagpada, dreamed up by Dawoodi Bohra entrepreneurs, is in the pipeline. Perhaps the image of the city's crime hot spots too could change in future. 

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